“It is a never ending research driven by the endless optical sampling of external impulses. BLAME paints the world we – humans – have shaped for ourselves, for our future – be it for better or worse. It’s a hypothesis of the post-historical time. In which Epic is not dead. It cannot die. It is just counting silently, waitingly.”
It’s about eidolons and machines. It’s about losing faith. It’s about longing for the final, endless winter, which should put us all asleep, before we get another chance to consume ourselves.
Is this too dark for you?
2008, Wiesbaden, Germany.
B. Posavec – concept, music, programming, lyrics, vocals and production.
occasional / previous members: J. Kevic (www.violentia.com), M.Mitrovic (percussions), N. Zivic (Eon Blue Void, mastering helper) for more details on the BLAME activities during 2004-2006 download about.pdf (please note that the above pdf is quite out of date.)
In a manner of making atmosphere?
All Pre-BLAME projects have been relying heavily on software. But things have changed with the rise of BLAME, the machine made sound. Expectedly, HW addiction became inevitable. Equipment list at the moment (and growing):
EMU ESI-32 (fully expanded)
Clavia Micro Modular
Miditech midi control
Behringer UB2222 FX-PRO
Behriger DSP 110
Behringer Dualfex PRO
Rode Nt 2
Magellan Class A active monitors
incoming gear (reenforcement for the BLAME #2 album ~2008):
Oberheim OB 12
Mackie VLZ 1402
Time before BLAME
Pigeons in Space (1998-1999)
ETA (eudora’s titanium ankles, 1998-2000)
Endymion (2000 – 2004)
BLAME (2003 – 20xx)